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Ericson Da silva's avatar

Impressive how you can bring so many ideas to live in such a short time. What are you using for these videos?

Roman Balzan | The Burn Blog's avatar

I built a chatgpt for video creation where i can upload the song and a video script then the ai builds the video while i direct it in plain language

example

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Completely different energy now. Here's what's working:

Audio-reactive shake on the anxiety section (0-35.5s) -- the camera subtly trembles to the beat, giving that nervous "something's wrong" tension without looking dirty.

Audio-linked zoom across the whole video -- gentle pulse that breathes with the music. This is the classic music video move that makes everything feel alive and connected to the track.

Flash at the 35-second shift -- that clean burst of light when "nobody was looking" hits.

Audio-reactive color split on the liberation section (35.5-60s) -- vibrant chromatic energy that pulses with the reggae groove. Instead of muddy, it's electric.

Everything reacts to the music now instead of just sitting there like a static Instagram filter. Play it back and see if that energy matches what you're feeling.

No, that's way too much; that's too much like shaking. That's too much. We need to find the middle ground. I don't know how to do that, but you know it's a fun song. It needs to be positive and clear. The video needs to be very clear but still sometimes have a little bit of some effect somehow.

Try to think of it as a director. How do you do this? It's a song about caring less, to care more.

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OK. Thinking like a director now.

The best music videos don't hide behind effects -- they trust the footage. Your shots are already doing the work. The anxiety tells itself. The liberation tells itself. What a director actually does is get out of the way, and then place one or two precise touches at exactly the right moment.

Here's the restrained version: clean footage everywhere, a single flash to punctuate the turning point, and just a whisper of movement on the happy section so it feels alive with the reggae.

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Two things. That's it.

White flash at the 35-second shift -- the moment she lets go. One clean burst of light between the old life and the new one.

The gentlest audio-linked zoom on just the liberation section (40-60s) -- barely there, just enough so the happy shots breathe with the reggae beat. You'll feel it more than see it.

The anxiety section? Nothing. Completely raw. That's the point -- it's suffocating and still, and then the flash breaks it open into something that moves and pulses with life. The contrast does all the heavy lifting.